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रिसाई

दुख और मौत से संबंधित, शोकयुक्त

ज़र्फ़

बर्तन

तिहाई

किसी वस्तु के तीन समान भागों में कोई एक भाग, तीसरा अंश, भाग या हिस्सा, तीसरा हिस्सा

ला'नत

धिक्कार, फटकार, भर्त्सना, अभिशाप, शाप

क़हर ढाना

किसी के लिए संकट पैदा करना, संकटग्रस्त बनाना, किसी पर कोई आफ़त लाना, ज़ुल्म करना, क़हर तोड़ना

मज़दूर

शारीरिक श्रम के द्वारा जीविका कमाने वाला कोई व्यक्ति, जैसे: इमारत बनाने, कल-कारख़ानों में काम करने वाला, श्रमिक, कर्मकार, भृतक, मजूर

चले न जाए आँगन टेढ़ा

काम में कुशल न होने पर दूसरे पर आरोप मढ़ना

आगे नाथ न पीछे पगा

जिसके आगे-पीछे कोई न हो, जिसका अपना कोई न हो, असहाय, लावारिस, अकेला

साहिर

जादूगर, वह व्यक्ति जो जादू दिखाता हो

कुड़माई

शादी के पूर्व रिश्ता पक्का करने के लिए की जाने वाली रस्म, सगाई, शादी तै करना, रिश्ता करना

नज़र-भर देखना

भरपूर नज़र से देखना, ग़ौर से देखना, ध्यान से देखना

ख़्वाजा-ताश

एक स्वामी के दास, जो आपस में ख्वाजःताश कहलाते हैं

मैया

कृपा, करुणा, तरस, ममता, दया

क़फ़स

(पक्षियों का) पिंजरा, कबूतरों का दरबा जो बाँस की खपच्चियों से बनाते हैं

हुस्न-ए-तलब

माँगने का अच्छा ढंग, कोई चीज़ इशारे इशारे में माँगना, ऐसे ढंग से चीज़ माँगना कि देने वाला देते हुए ख़ुशी महसूस करे

बसर

गुज़ारा, निर्वाह, जीवन-यापन, जीविका, निबाहना

बसर-औक़ात

जीवनानिर्वाह का अवलंब, जीवन का सहारा, जीविका साधन, आजीविका, वृत्ति, रोजी, रोजगार

मुंतशिर

बिखरा हुआ, छितरा हुआ, फैला हुआ, तितर-बितर, बिखरने वाला, फैलने वाला

पिनक

अफ़ीमची की वह अवस्था जिमसें वह नशे की अधिकता के कारण सिर झुकाकर बैठे रहने की दशा में बेसुध या सोया हुआ सा रहता है, अफ़ीम के नशे में ऊँघना, अफ़ीम के नशे में धुत्त, अफ़ीम की झोंक

आँख ओट पहाड़ ओट

जो वस्तु आँख के सामने न हो यदि वह निकट हो तब भी दूर है

Home / Blog / Arz Kiya Hai: The Vocabulary for Mushairas

Arz Kiya Hai: The Vocabulary for Mushairas

by Atifa Haroon 18 July 2023 4 min Read

Arz Kiya Hai: The Vocabulary for Mushairas

Ah, the world of Mushaa’iras, a haven for all Urdu enthusiasts! If you're a lover of this beautiful language, then Mushaa’iras are undoubtedly the highlight of your calendar. Just a quick glance at Jash-e-Rekhta's social media pages will reveal the sheer frenzy and excitement that surrounds these poetic gatherings. 

And why shouldn't we be thrilled? The allure of enchanting ghazals, captivating poems (nazm), and the mesmerizing atmosphere of poetry and verses is simply irresistible.

But amidst all the buzz, what truly captures the attention is the unique vocabulary that permeates these Mushaa’iras. From the elegant invitation of a poet onto the stage to the exquisite appreciation of their compositions, everything is executed with utmost sophistication, respect, and a language that is exclusively reserved for these literary congregations. 

So today, my dear readers, we embark on a journey to explore this very vocabulary that thrives in the realm of Mushaa’iras. Let us delve deeper into the world of live ghazal and nazm recitations, and discover the hidden treasures that lie beyond the customary waah-waah.  

And here goes the list: 

Let us begin with the word ‘shaa'ir’, a familiar term in the world of Urdu literature, which simply means a poet. In the context of Mushaa’iras, the plural form "shu'araa" is frequently used to refer to poets. It is worth noting that moderators and hosts often also use the Hindi term "kavii" to address these talented wordsmiths.  

Now, let us turn our attention to the role of a "naazim" or "naazim-e-Mushaa’ira," who serves as the host or moderator of the Mushaa’ira. These individuals, often esteemed poets themselves, have the honor of moderating the Mushaa’ira and inviting the poets onto the stage. The act of moderating a Mushaa’ira is known as ‘nizaamat’. 

An exemplary figure in this regard was the late Anwar Jalalpuri, whose interview with Farhat Ehsaas sahab at Rekhta Studio can be watched here

In the context of a Mushaa’ira, the phrase "in ko daa'vat dete hain" signifies the act of inviting a poet on stage. Typically, a naazim invites a poet by saying something along the lines of "ab hum fulaa.n shayar ko stage pe daa'vat dete hain," which translates to "we'd now like to invite such and such poet on the stage." Alternatively, the naazim may also say "hum fulaa.n shaa.ir ko aavaaz dete hain," conveying the same meaning.

Moving on, we encounter the term "sadr-e-Mushaa’ira," which refers to the head or chief of the group of poets in a Mushaa’ira. Usually, the sadr is the most senior poet among all, and out of courtesy, poets seek permission from them before reciting their work.

Perhaps the most popular phrase on our list today, arz kiyaa hai has made its mark as the classic Mushaa’ira lingo. Poets employ this phrase when they are about to recite a couplet or poem, adding an air of anticipation and charm to their performance. 

In the spirit of courtesy, poets usually say ‘aap ki ijaazat ho toh mai kuch sher pesh karuu.n’, meaning ‘if you (the audience and the sadr) permit, I'd like to recite a few couplets, etc.’ To encourage the poet, the naazim and fellow poets usually respond with "irshaad", which literally means a saying or utterance. In the Mushaa’ira setting, it serves as an encouraging gesture, urging the poet to share their poetic creation. 

'nazr karnaa' is a an idiom which means to offer or dedicate something to someone. In Mushaa’iras, poets often use phrases like ‘ye sher hum fulaa.n ki nazr karte hain’ indicating that they are dedicating a couplet or part of a nazm to a specific individual, adding a personal touch to their recitation.

Lastly, we cannot overlook the phrase "waah-waah," as it holds great significance in the world of Mushaa’iras. The success of a ghazal is measured by the intensity of waah-waah it receives. "Waah" is an expression of appreciation and serves as the ultimate way to convey your admiration for a captivating couplet.

Other common terms such as "muqarrar," "mehfil," and "kalaam" further enrich the poetic tapestry of this mesmerizing art form.

We hope that you’ve learned a thing or two about the Mushaa’ira culture from this blog. Keep visiting this space because hum aap ki khidmat mein jald hi aur kuch pesh karenge!


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